Tag Archives: moon

365 for 2012: (61) Sky, Blue

there is something amiss,


 you notice the colors of my nails twice

and reckon, ‘that’s a piece of heaven

right there at the tips of your toes

and where your touch begins.’ the sky, 

painted on the edges of my body. something

i stole from when i took the fall. now,

reaching for that piece of paradise 

across the table, your hand gets stuck–


between anticipated temptations and bad luck.


remember, keep in synchronous rotation 

with the body that keeps you in place 

yet in constant motion. these things can be

as bright as the sun, dark as your doubt,

round as your woe. we know how

these things work. if we remember at all.  


it only seems random. but the distance 

between this body and that is deliberate.

calculated with precision. we move

according to rules of the universe, irrelevant

whether understood, implied, or imposed. 


how do we approximate matter and space?

what occupies us? what is missing?

where do burning bodies go?


and the color of our skies, on surfaces 

we think we own. may not be

how heaven appears to be at all.

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Cosmic and Magical, Movies and La Lune

Earlier this year I wrote an entry about my fixation for the moon. Okay, maybe I have had some other entries about the moon because I do go crazy about it every month. But just to distinguish from other entries it’s the one that talks about AIR’s album and George Melies’s films La Voyage Dans La Lune.

That was in February.

Today I just watched Martin Scorsese’s Hugo.

And I am no less than delighted in the superlative sense.

I don’t know why it took so long for me to actually see this film. I deserve a whack on the head for that. It brings together a lot of the things I love: Scorsese of course, the strange mix of superb actors (Ben Kingsley, Sacha Baron Cohen,  Chloe Grace Moretz, Asa Butterfield,  Helen McCrory, and Jude Law), Brian Selznick being the author of the book The Invention of Hugo Cabret – also a wonderful read – which the movie is based on, and then the most touching story about George Melies as a filmmaker. It is historical fiction, yes, almost a sort of fantastical one and that’s what’s so charming about it.

I don’t know why I’m pushed to write about this. I don’t usually do this – write reviews or gather my thoughts about a specific film in a narrative sense, except for those very particularly moving ones.

And Bob’s your uncle.

I’ve always been fascinated about Melies and his work technically because he is a pioneer in the use of special effects in moviemaking. But I think I am drawn to him more because of the idea that he sort of employed magic in the way he made his films during the time that it was made. The way cinema has evolved and continues to evolve in this day and age pushing the boundaries of delight for all of the senses of those who watch we owe to the man who started to tell the story about rockets landing on celestial bodies. And Scorsese just sort of pulled another bunny out of the hat. It’s an old trick but, really, tell me who is never delighted by it?

It’s a sort of cosmic charm that makes me fall in love with this every time. The movies, I mean. Sometimes the universe gives you the perfect story to let the moment elide itself into. It leaves you wondering how the hell the perfect story lands on your lap exactly when you need it to.

I have to thank a friend who told me I should watch this film. He knew I would be delighted. Superlatively so.


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Beam Me Up Major Tom

Last Saturday, I asked the universe for tickets to the moon.

Saturdays have become my “weepy days” these past few weeks. Aside from allowing myself to wake up any hour I pleased and spend doing stuff weekdays prohibit me from doing, my Saturdays have been bookmarked for giving in to sentimentality. But no weeping happened to me this last Saturday, just a fixation for the moon.

This was after I stumbled upon the new album Le Voyage Dans La Lune of  French electronica duo, Air (which is actually an acronym for Amour, Imagination, Rêve) .  The album was inspired by George Melies’s A Trip To The Moon (1902) the first science fiction film ever made. Because, basically, the duo was asked to make a score for the restored colour version of the film! And this happened 15 years after they came out with Moon Safari. Serendipitous, really.

I’ve always thought of Melies as true magician, being the inventor of film effects such as time-lapse, dissolves, and stop-tricks. Well, guess what? He did practice a little bit of magic. Fascinating.

And then I also went a little nostalgic because it all reminded me of  Smashing Pumpkin’s ‘Tonight, Tonight’.

I kind of grew fixated with the idea of travelling to outerspace then that day.

And now, it  is Monday. But I still can’t get over flying away.

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